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''The Real Inspector Hound'' is a short, one-act play by Tom Stoppard. The plot follows two theatre critics named Moon and Birdboot who are watching a ludicrous setup of a country house murder mystery, in the style of a whodunit. By chance, they become involved in the action causing a series of events that parallel the play they are watching. The play was written between 1961 and 1962, drawing on Stoppard's experiences as a Bristol theatre critic. It was initially named ''The Stand-ins'' and later, ''The Critics''. It is a parody of the stereotypical parlor mystery in the style of Agatha Christie's ''The Mousetrap'', as well as of the critics watching the play, with their personal desires and obsessions interwoven into their bombastic and pompous reviews. The title is a direct reference to the ending of ''The Mousetrap'', a play well known for guarding the secrecy of its twist ending, although the producers of Agatha Christie's play could not publicly object without drawing even more attention to the fact. ''The Real Inspector Hound'', much like Stoppard's earlier play ''Rosencrantz & Guildenstern Are Dead'', examines the ideas of fate and free will, as well as exploring the themes of the 'play within a play'. Stoppard's play is an example of absurdism as well as farce, parody, and satire. ==Setting: Place and time== While the story is set in a theatre, the play within the play is set in Muldoon Manor, a lavish manor surrounded by "desolate marshes" and "treacherous swamps" and paradoxically also located near a cliff. It is a direct parody of Agatha Christie’s "closed" settings in which no one can enter or leave, so the characters know that the murderer must be one of them. The manor itself is described as having French windows and a large settee. The play is set, as spoken by Mrs Drudge, in the "drawing room of Lady Muldoon’s country residence one morning in early spring." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Real Inspector Hound」の詳細全文を読む スポンサード リンク
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